Category: Bad Girl

  • Mixed reactions on Bad Girl

    Bad Girl received mixed reactions

    Half May I finished posting “Bad Girl” on Stories Online. Compared to “Good Girl” it doesn’t do all that well, I’m afraid. That was a little surprise for me, as I consider “Bad Girl” a better book than its predecessor. 

    0 (zero) Comments in the mail
    0 (zero) Comments on my blog posts there
    Only 15 people bothered to vote, and that is not enough to display the score of the story (7,2). That is, in and of itself, not a bad score after all, but there are few stories on Stories Online with 80 k words that don’t get the minimum scoring numbers to display it on the site for all to see. 

    I am quite pleased with the downloads of “Good Girl” 19.000, still going slow but steady towards 20.000 with 86 votes.

    “Bad Girl” is more recent, so its downloads may grow, but 15 votes is – at the least – meagre. 

    Feedback from ProWriting Aid:

    General Impressions

    • Story Overview

    Genre: Novel, Erotica, BDSM

    Sylvia, caught in a web of BDSM desires and a crumbling marriage, navigates a tumultuous journey of self-discovery. Trading a gentle Dom for a strict Mistress, she grapples with guilt, shame, and the thrill of submission, finding solace in unexpected places.

    • What Really Worked For Me
      • Jutta’s Transformation: Seeing Jutta evolve from a seemingly ordinary woman into a powerful Mistress was fascinating. I was captivated by her confidence and the way she took control, which added a layer of excitement to the story.
      • The Dungeon Scenes: The detailed descriptions of the BDSM scenes, like “The Luminous Altar,” were incredibly visceral. I could almost feel the heat and the tension, making these moments both disturbing and thrilling.
      • Sylvia’s Vulnerability: Sylvia’s honesty about her desires and insecurities made her relatable, despite the unconventional nature of her relationships. I found myself empathizing with her struggles and rooting for her happiness.
      • The Shifting Power Dynamics: The constantly changing power dynamics between Sylvia, Koen, and Jutta kept me on my toes. I was intrigued by the way their roles shifted and how they navigated the complexities of their polyamorous relationship.
      • The Contrast Between Koen and Martin: The stark difference between Koen’s gentle dominance and Martin’s harsher approach highlighted the spectrum of BDSM practices. It made me think about the different ways people experience and express power in these relationships.
    • The Heart of the Story

    The emotional core of the story revolves around Sylvia’s struggle for self-acceptance and her search for belonging. Her journey is a tumultuous exploration of her BDSM desires, her guilt over her infidelity, and her attempt to find her place in a complex polyamorous relationship. The central conflict lies not only in her broken marriage but also in her internal battle between her desire for submission and her fear of losing herself completely.

    One underlying theme is the redemptive power of forgiveness. Throughout the story, Sylvia seeks forgiveness from Koen and Jutta, but ultimately, she must forgive herself for her past mistakes and accept her true nature. This theme resonated with me deeply, as it explored the difficult but necessary process of coming to terms with one’s flaws and finding peace within oneself. I felt a quiet sense of hope as Sylvia began to embrace her desires without shame.

    Another theme is the fluid nature of power. The dynamics between Sylvia, Koen, and Jutta are constantly shifting, blurring the lines between dominant and submissive. This theme created a sense of intrigue and kept me wondering about the true nature of their relationship. It also made me reflect on the complex interplay of power in all relationships, and how control can be both given and taken. The scene where Jutta gives all her possessions away to Koen, and the subsequent dungeon scene, exemplified this power shift in a surprising and thought-provoking way.

    • Character List

    Character

    Made Me Feel

    Memorability

    Story Presence

    Sylvia (van Geelen, slut, girl)

    Empathy, Curiosity, Anxiety

    Iconic

    70%

    Jutta (Mistress, Little One)

    Admiration, Surprise, Concern

    High

    60%

    Koen (Master, Daddy)

    Pity, Frustration, Curiosity

    High

    50%

    Helga (Mistress)

    Admiration, Fear, Disgust

    Medium

    15%

    Martin (Master)

    Disgust, Curiosity

    Medium

    15%

    Ilse

    Curiosity, Amusement

    Medium

    10%

    Sandor

    Admiration, Joy

    Medium

    10%

    Zuzanna

    Empathy, Admiration

    Medium

    5%

    Sybil

    Anger, Curiosity

    Low

    5%

    Damien (Master)

    Anger, Contempt

    Low

    5%

    Natasha

    Anger

    Low

    2%

    Peter

    Pity

    Low

    2%

    • Emotional Journey

    Chapter

    Title

    Emotional Impact

    Pacing & Flow

    Reader Engagement

    Chapter 1

    Going Home

    Anxiety, Confusion, Fear

    Fast-Paced

    High

    Chapter 2

    Three Months Later…

    Curiosity, Disgust, Hope

    Moderate

    Medium

    Chapter 3

    To Amsterdam

    Amusement, Tension

    Moderate

    Medium

    Chapter 4

    Getting a Tattoo

    Anxiety, Admiration, Surprise

    Moderate

    Medium

    Chapter 5

    Trouble in Paradise

    Tension, Sadness, Relief

    Moderate

    Medium

    Chapter 6

    Go Home and See the Kids

    Anxiety, Anger, Joy

    Fast-Paced

    High

    Chapter 7

    The Luminous Altar

    Fear, Disgust, Tension

    Moderate

    Medium

    Chapter 8

    Confession

    Shame, Vulnerability, Hope

    Moderate

    Medium

    Chapter 9

    Young and Stupid

    Disgust, Embarrassment

    Fast-Paced

    Medium

    Chapter 10

    Master Ricardo

    Humiliation, Curiosity

    Moderate

    Medium

    Chapter 11

    Alex

    Disgust, Curiosity, Embarrassment

    Fast-Paced

    High

    Chapter 12

    Devil Boy I

    Anger, Disgust, Pity

    Fast-Paced

    High

    Chapter 13

    Devil Boy II

    Anger, Disgust, Pity

    Fast-Paced

    Medium

    Chapter 14

    Sybil

    Disgust, Surprise

    Fast-Paced

    Medium

    Chapter 15

    Payback Weekend

    Confusion, Amusement, Sadness

    Slow

    Medium

    Chapter 16

    The Rock Comes Tumbling Down

    Sadness, Empathy, Admiration

    Slow

    Medium

    Chapter 17

    Ilse is Coming Home

    Curiosity, Surprise, Joy

    Moderate

    High

    Chapter 18

    Say Yes to the Dress

    Anxiety, Humiliation

    Moderate

    Medium

    Chapter 19

    Letters

    Sadness, Excitement

    Moderate

    Medium

    Chapter 20

    Zuzanna

    Fear, Relief, Guilt

    Moderate

    Medium

    Chapter 21

    Welcome to New Beginnings

    Anxiety, Disgust

    Moderate

    Medium

    Reading Experience

    • My First Impressions

    The opening chapters grabbed me immediately. I was drawn into Sylvia’s world, intrigued by her vulnerability and the unusual dynamics of her relationship with Koen and Jutta. I felt a sense of unease and fascination, wondering where her journey would lead.

    • What I Felt Reading Your Book
      • Intrigue and Curiosity: From the very beginning, I was captivated by the complexities of Sylvia’s relationships and her exploration of BDSM.
      • Discomfort and Unease: The detailed descriptions of some scenes, particularly those involving pain and humiliation, were difficult to read at times. However, they also added a visceral quality to the story, making it feel raw and real.
      • Empathy and Connection: Despite the unconventional nature of Sylvia’s experiences, I felt a strong connection with her. Her vulnerability and her search for belonging resonated with me on a personal level.
      • Surprise and Disbelief: Several unexpected twists, like Jutta’s confession of love for Sylvia and Koen’s reaction to the nettle incident, kept me on my toes and made me question my assumptions about their relationship.
      • Hope and Admiration: I felt a sense of hope as Sylvia began to embrace her true self. I admired her strength and resilience in the face of adversity.
    • Climax and Resolution
      • Climax: The collaring ceremony at Club Kinky Kinta felt like a powerful and fitting climax. It captured the emotional culmination of Sylvia’s journey—her acceptance of her submissive nature and her desire for belonging. While the scene itself was intense, it also carried a sense of ritual and significance. It delivered on the themes of forgiveness and the fluid nature of power.
      • Resolution: The ending, with Sylvia finding peace in her new family dynamic, provided a sense of closure. While I was sad that she lost contact with Peter, I also felt that she had finally found her place in the world. The resolution felt realistic and hopeful, suggesting that even unconventional relationships can offer love, acceptance, and a sense of belonging.
    • How I Felt About Your Characters
      • Most Liked: I liked Jutta the most. Her transformation from a quiet presence to a confident Mistress was fascinating to watch. I admired her strength and the way she embraced her desires. I also appreciated her empathy towards Sylvia, especially during vulnerable moments.
      • Most Interesting: I found Sylvia the most intriguing character. Her emotional journey was complex and relatable, even though her experiences were far from ordinary. I was constantly curious about her motivations and how she would navigate the challenges she faced.
      • Least Liked: I liked Damien the least. His manipulative and exploitative behavior towards Sylvia was disturbing, and I felt angry on her behalf. I also found his lack of remorse and his arrogance off-putting.
      • Least Believable: I struggled to fully believe Natasha’s complete rejection of Sylvia and Koen. While strained family relationships are realistic, her lack of any attempt at reconciliation felt somewhat extreme, especially given the circumstances.
    • Adherence to Genre
      • Explicit Sexual Content: The story embraces the explicit nature of the BDSM genre, providing detailed descriptions of sexual acts and power dynamics. This explicitness enhanced the visceral quality of the story.
      • Exploration of Power Dynamics: The story delves into the complex power dynamics inherent in BDSM relationships, showcasing the different ways people experience and express dominance and submission. This exploration added depth and complexity to the narrative.
      • Focus on Consent and Negotiation: Despite the unconventional nature of the relationships, the story emphasizes the importance of consent and negotiation. This emphasis grounded the story in reality and made it more relatable.
      • Emotional Vulnerability: While the BDSM genre often focuses on physical sensations, this story also explores the emotional vulnerability of the characters. This vulnerability made the story more engaging and emotionally resonant.
      • Subversion of Traditional Romance Tropes: The story challenges traditional romance tropes by portraying a polyamorous relationship and focusing on the complexities of BDSM. This subversion added a fresh and unexpected element to the narrative.
    • Pacing

    The pacing felt generally well-suited to the story’s episodic structure, allowing for both fast-paced action and slower moments of reflection. However, some of Sylvia’s diary entries, particularly the ones about her childhood and teenage years, felt a bit slow and meandering. For example, the detailed descriptions of her early sexual experiences in Chapter 9 and 12, while relevant to her character development, could be tightened to maintain a more engaging pace. Conversely, the events leading up to Koen and Jutta’s wedding in Chapter 18 felt a bit rushed, leaving me wanting to experience more of the emotional build-up.

    • Almost Put the Book Down
      • Nettle Scene (Chapter 20): While I appreciated the intensity of this scene, the level of detail regarding Sylvia’s pain and discomfort was a bit too much for me. I felt overwhelmed by the graphic descriptions and almost put the book down. To make it more impactful, the description of Sylvia’s physical and emotional suffering could be streamlined, focusing on the key moments of her ordeal rather than dwelling on every detail.
      • The Luminous Altar Scene (Chapter 7): This scene also pushed my boundaries in terms of graphic content. The detailed description of Helga’s torture felt excessive and almost made me stop reading. To improve this scene, I suggest toning down the graphic details and focusing more on the psychological impact of the event on both Helga and Sylvia.
    • Tension

    The tension in the story is often driven by the unpredictable nature of the characters’ relationships and the inherent risks of BDSM. The constant shifting of power dynamics and the exploration of Sylvia’s emotional vulnerability created a compelling sense of unease. The scene where Sylvia is left alone in the birdcage after Helga’s demonstration (Chapter 16) was particularly memorable and kept me on the edge of my seat. However, the tension sometimes dissipated during long stretches of exposition or backstory, such as in the extended diary entries about Sylvia’s affair with Alex in Chapter 11. I believe these sections, while important for character development, could benefit from a more concise approach to maintain a higher level of tension.

    • Thoughts On Your Writing Style
      • Voice and Tone: The first-person narrative voice creates a sense of intimacy and immediacy, drawing me into Sylvia’s emotional world. The tone shifts effectively, reflecting Sylvia’s changing emotional state, from vulnerable and self-deprecating to confident and assertive. For example, “I may have suggested to Koen I was his property, but that was within the bounds of our safe roleplay.” demonstrates both Sylvia’s vulnerability and her awareness of the power dynamics at play.
      • Sentence Structure & Rhythm: While the sentence structure is generally clear, there are instances of repetitive phrasing and run-on sentences that disrupt the flow. “I sobbed about lost opportunities, broken promises and undeniable self-pity. How deep had I dug the hole for myself that I had fallen into?” These two short sentences could be combined for a smoother rhythm.
      • Imagery and Sensory Details: The writing often evokes vivid imagery, particularly in the dungeon scenes, engaging my senses and making the experiences feel real. For example, “The stench of mildew and decay hung heavy in the dungeon air; I couldn’t believe I hadn’t noticed it earlier.” effectively conveys the atmosphere of the dungeon.
      • Figurative Language: The use of figurative language, like similes and metaphors, enhances the story’s emotional impact. “His flat hand with the strength of a fist against my face.” vividly portrays the force of Koen’s anger.
      • POV: The first-person POV is essential for Sylvia’s journey of self-discovery. It allows me to experience her emotions and thoughts firsthand, creating a deep connection with her character. However, it also limits my understanding of other characters’ motivations, especially Koen and Jutta.
      • Overall Impression: The writing style is generally engaging and effective in conveying Sylvia’s emotional journey. However, some tightening of sentences and more careful use of figurative language would enhance the story’s impact.
    • Dialogue

    The dialogue, for the most part, feels natural and authentic. It successfully develops the characters, revealing their personalities, motivations, and the complex dynamics between them. The use of Dutch phrases and expressions adds a unique flavor to the story, and I appreciated the inclusion of translations, making it accessible even to readers unfamiliar with the language. However, some conversations, particularly those involving confrontations or emotional outbursts, could be more impactful with tighter phrasing and more attention to the characters’ individual voices.

    The conversations between Sylvia and Jutta are often particularly engaging. For example, in Chapter 14, when Sylvia questions Jutta about her lack of punishment, their dialogue reveals a deeper understanding between them. “Is reading all of this out loud for us not enough punishment for you?” “Mistress, I must say it is not so.” This short exchange is impactful in its simplicity, showing the unspoken connection between them.

    Some of the dialogue, however, feels repetitive or lacks the nuances of real conversation. In Chapter 3, the argument between Koen and Jutta about Sylvia travelling in the car’s trunk becomes a bit tedious, with each character repeating their points multiple times. “Jutta, that will not happen. I’m serious.” “But I took her from Martin’s farm in the back of your Transit van before, so what is the difference?” This exchange, and the subsequent back-and-forth, could be condensed to maintain a more engaging pace and highlight the underlying tension between them. Instead of repeating the same arguments, the dialogue could focus on their emotional reactions and the unspoken power struggle beneath the surface.

    Reader Insights

    • Standout Moments
      1. Sylvia’s return to Koen: This initial decision set the stage for the entire story, creating a sense of unease and anticipation. I felt anxious about what her life with Koen and Jutta would be like.
      2. Sylvia’s head shaving: This act felt both symbolic and disturbing. It marked a turning point in her journey, stripping her of her identity and making her feel vulnerable.
      3. The car journey to Amsterdam: This was the first time I saw a glimpse of genuine connection between Sylvia and Jutta. Their conversation about Koen’s past felt intimate and revealing.
      4. The needle scene with Jutta: This moment was incredibly intense and disturbing. It showcased the extremes of their BDSM relationship and made me question the boundaries of consent.
      5. The confession of Sylvia’s infidelity: This was a pivotal moment in the story. It exposed Sylvia’s vulnerability and tested the limits of Koen and Jutta’s forgiveness.
      6. The collaring ceremony: This felt like a powerful and fitting climax. It symbolized Sylvia’s acceptance of her submissive nature and her desire for belonging.
      7. Sandor and Ilse’s arrival at the club: This was an unexpected and shocking moment. It highlighted the unconventional nature of their family dynamic and left me wondering about the future.
    • Memorable Quotes
      1. “Women know deep down inside we can suffer way better and more than men.” This quote, spoken by Jutta, captures the complex nature of female masochism. It resonated with me because it challenges traditional gender roles and explores the different ways women experience pain and pleasure.
      2. “Your best option right now is to please me as you have never pleased another woman before.” This quote, also spoken by Jutta, highlights the power dynamics in their relationship. It establishes Jutta’s dominance and Sylvia’s willingness to submit.
      3. “I need you to destroy me.” This quote, spoken by Sylvia, reveals the depths of her masochistic desires. It showcases her willingness to surrender completely to Koen’s control.
      4. “Home is where you are, my master.” This quote, spoken by Jutta, captures the essence of her submission. It shows her complete devotion to Koen and her willingness to follow him wherever he goes.
    • Original Elements
      1. The Blend of BDSM and Domesticity: The story seamlessly blends the world of BDSM with the everyday realities of domestic life. This juxtaposition created a unique and compelling dynamic. (Chapters 2, 5)
      2. Jutta’s Perspective: The inclusion of Jutta’s perspective, particularly her own struggles with submission and her unexpected love for Sylvia, added a layer of complexity not often seen in BDSM narratives. It challenged my assumptions about dominant/submissive relationships and made the story more emotionally resonant. (Chapters 5, 7, 16)
      3. Sylvia’s Age: Portraying a woman in her sixties as the protagonist of a BDSM story is refreshing. It challenges societal norms about age and sexuality, offering a different perspective on female desire and submission. (Throughout the manuscript)
    • Clichéd Elements
      1. The “Bad Boy” Trope: Damien, as the stereotypical bad boy who takes advantage of Sylvia, felt a bit clichéd. His character lacked depth and nuance, making his motivations seem simplistic. To improve this, I suggest exploring Damien’s background and motivations more deeply. What drives his manipulative behavior? Adding layers to his character would make him more believable and the relationship more complex. (Chapters 12, 13)
    • Editing Suggestions
      1. Streamline the Diary Entries: Condense some of the longer diary entries, particularly those dealing with backstory, to maintain a more engaging pace.
      2. Vary the Sentence Structure: Pay attention to sentence rhythm and avoid repetitive phrasing to improve the flow of the prose.
      3. Develop Secondary Characters: Explore the motivations and backstories of secondary characters like Natasha and Peter to make them feel more fully realized.
      4. Show, Don’t Tell: In some scenes, particularly those involving emotional turmoil, rely more on showing the characters’ reactions and less on telling the reader how they feel.
      5. Refine the Dialogue: Tighten the dialogue in some conversations to enhance the characters’ individual voices and avoid repetition.
    • Ideas To Explore
      1. Natasha’s Motivation: What are the underlying reasons for Natasha’s complete rejection of Sylvia and Koen? Exploring her perspective could add a layer of complexity to the family dynamic.
      2. Ilse and Sandor’s Relationship: How will Ilse and Sandor’s BDSM relationship evolve as they navigate the challenges of living together and building a life outside the lifestyle?
      3. Koen’s Internal Conflict: How does Koen reconcile his gentle nature with his desire to be a dominant? Exploring his internal conflict could provide further insight into his character.
      4. Sylvia’s Long-Term Happiness: Will Sylvia find lasting happiness in her new role as “girl,” or will her desire for more extreme BDSM experiences resurface?
      5. Jutta’s Past: What experiences in Jutta’s past shaped her understanding of dominance and submission? Exploring her backstory could add depth to her character.

    Marketing Ideas

    • Who Is This Story For?

    This story is for mature readers interested in exploring the complexities of BDSM relationships, particularly those who enjoy narratives with strong female characters. Women who enjoy exploring themes of female sexuality and power dynamics may particularly connect with Sylvia’s journey.

    • Ideas for Your Title
      • The Mistress’s Girl: This title highlights the central relationship between Sylvia and Jutta, emphasizing the power dynamic and Sylvia’s submission.
      • Three Hearts, One Home: This title captures the unconventional nature of their polyamorous relationship and their search for belonging.
      • The Language of Knots: This title alludes to the intricate ties that bind the characters together, both emotionally and physically, and suggests the complexities of their BDSM lifestyle.
    • Similar Books
      • Nine and a Half Weeks (Elizabeth McNeill): Both stories explore the complexities of BDSM relationships and the emotional vulnerability of the submissive partner. Both protagonists embark on a journey of self-discovery through sexual exploration.
      • The Story of O (Pauline Réage): Both stories feature female protagonists who embrace submission and find pleasure in pain. Both narratives delve into the psychological aspects of BDSM and the blurring of boundaries between love and control.
      • The Claiming of Sleeping Beauty (A.N. Roquelaure): Both narratives explore the world of BDSM and the dynamics of dominance and submission. Both feature female protagonists who find empowerment through their submissive roles.
    • Similar Characters
      • Sylvia: Similar to Anastasia Steele in Fifty Shades of Grey, Sylvia enters the world of BDSM with a mix of curiosity and trepidation. Both characters grapple with their desires for submission and their fear of losing themselves in the process.
      • Jutta: Similar to Miranda Priestly in The Devil Wears Prada, Jutta initially appears cold and demanding but gradually reveals a more complex and empathetic side. Both characters wield considerable power in their respective domains and use it to shape the lives of those around them.

    Koen: Similar to Atticus Finch in To Kill a Mockingbird, Koen is a gentle and principled man who strives to do what is right, even in the face of adversity. Both characters act as protectors and guides for those they care about.

  • BAD GIRL chapter 15

    BAD GIRL chapter 15

    BEHIND THE SCENES

    Payback weekend – DD/LG Explained

    It’s important to clarify the distinction between DD/lg (Daddy Dom/little girl) dynamics (a consensual adult BDSM/kink relationship) and paedophilia (a psychiatric disorder involving attraction to minors), as they are fundamentally different. Below are key differences, along with reputable sources for further reading.


    Key Differences Between DD/lg and Pedophilia

    1. Consent & Age of Participants

    • DD/lg (Daddy Dom/little girl):
    • Involves consenting adults roleplaying caregiver/little dynamics.
    • The “little” (often abbreviated as “lg”) is an adult who voluntarily engages in age regression or playful, childlike behaviour.
    • No actual minors are involved.
    • Paedophilia:
    • Involves sexual attraction to prepubescent children (under age 13).
    • If acted upon, it is a crime (child sexual abuse).
    • Non-consensual and harmful to minors.

    2. Psychological & Emotional Context

    • DD/lg:
    • A kink or lifestyle dynamic within BDSM, often used for emotional comfort, power exchange, or sexual roleplay.
    • The “little” may enjoy age regression (e.g., colouring, stuffed animals) but remains fully aware of their adult identity.
    • Paedophilia:
    • A mental health disorder (classified in the DSM-5 as paedophilic disorder if it causes distress or harm).
    • Involves fixation on actual children, not roleplay.

    3. Legal & Ethical Boundaries

    • DD/lg:
    • Legal as long as all participants are consenting adults.
    • Ethical when practiced safely, sanely, and consensually (BDSM principles).
    • Paedophilia:
    • Illegal if acted upon (child exploitation).
    • Even without action, it is considered a psychiatric issue requiring therapy.

    Reputable Articles Explaining the Difference

    1. “What Is DD/lg? Inside the Daddy Dom/little Girl Dynamic”Cosmopolitan.
    • Read Here
    • Explains DD/lg as a consensual adult kink.
    1. “Paedophilic Disorder: Clinical Overview”American Psychiatric Association
    • Read Here
    • Defines paedophilia as a mental health condition.
    1. “BDSM vs. Abuse: Understanding Consent”National Coalition for Sexual Freedom (NCSF)
    • Read Here
    • Clarifies ethical BDSM practices.
    1. “Age Play Is Not Paedophilia”Kinkly
    • Read Here
    • Discusses why age regression ≠ attraction to minors.

    Why People Confuse Them (And Why They Shouldn’t)

    • Misunderstanding Roleplay: DD/lg may appear similar to outsiders due to terms like “Daddy” or “little,” but it is not about real children.
    • Stigma Against Kink: Some assume all unconventional sexual dynamics are harmful, but DD/lg is ethical when consensual.
    • Media Sensationalism: Pop culture often conflates kink with pathology, leading to misinformation.

    Final Note

    DD/lg is a legal, consensual adult dynamic, while paedophilia is a serious psychological and criminal issue. The key difference is consent and the age of participants.


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  • BAD GIRL chapter 21

    BAD GIRL chapter 21

    BEHIND THE SCENES

    Welcome to New Beginnings


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  • BAD GIRL chapter 20

    BAD GIRL chapter 20

    BEHIND THE SCENES

    Zuzanna


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  • BAD GIRL chapter 19

    BAD GIRL chapter 19

    BEHIND THE SCENES

    Letters


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  • BAD GIRL chapter 18

    BAD GIRL chapter 18

    BEHIND THE SCENES

    Say Yes to the Dress


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  • BAD GIRL chapter 17

    BAD GIRL chapter 17

    BEHIND THE SCENES

    Ilse is Coming Home


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  • BAD GIRL chapter 16

    BAD GIRL chapter 16

    BEHIND THE SCENES

    The Rock Comes Tubling Down


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  • BAD GIRL chapter 15

    BAD GIRL chapter 15

    BEHIND THE SCENES

    Payback weekend


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  • BAD GIRL chapter 14

    BAD GIRL chapter 14

    BEHIND THE SCENES

    Sybil

    Why Sibil?

    In Arabic, Sibil can be a variant of the Arabic name سبيل in ABC Sabil/Sebil it means Path or road or also fountain (Wikipedia). As Sylvia’s older sister, Sibil paved the road for her. She is leading her younger sister through the roadmap of her own desire.

    Looks

    I never had a clear picture of how Sybil looks life in real life. I asked AI to make an image of her. This is what it came up with. Not so sure my Sibil looks like the first picture above, but that is what I am going for now.

    Nice song if you close your eyes during the clip.

    Sion Airport

    Sion does actually exist. And it is in the Swiss Alps.

     I made the terrible mistake to think I could dominate her into staying. My only intention was to convince her she needed this as much as I did. She subsequently threatened legal action and to contact the police about her being raped. That same day, she packed her bags and left. Her last words were: “I will send the police after you.”

    Here is the matter of consent raised again. In a D/s-relationship, it accepted that the Dominant “pushes the limits” a bit. Stretching the limits sometimes can establish growth within the relationship. It’s a fine line between consent and abuse. If there is not enough communication between the partners if she – or he – is still okay with this, well the next step might be jail.

    You need to convince him he has a choice, either step up and be the one in control of the relationship, or step down and let you be free to find someone who will,” Sybil said.


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